The new LVM-241S is our top QC-Grade 24” model with a 24 inch IPS LCD panel with 1920×1200 resolution, wide-gamut reproduction (up to DCI-P3), enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.
Audio Level Meter Display:
Displays the level of the embedded sound signal together with the video signal input through the terminal such as SDI or HDMI.
Blue Only / Mono:
Red and Green channels are not used and only Blue or Monochrome channel is used to display the screen. This function is used to adjust the colour tones (tones and saturation) of the screen using the SMPTE Colour Bar. For example, after displaying the Blue channel, adjust the Colour (or Saturation) and Tint (or Hue) so that the original Magenta and Cyan are of the same brightness, and the original Grey and Blue are of the same brightness.
Assigns a colour to the pixels on the boundaries of the image to inform the user to achieve the best focus. With this function, user can easily differentiate the focused area from out-focused area especially when shooting with a shallow depth of field.
Allows you to check the Blanking area and synchronize signals by displaying the horizontal and vertical intervals in the centre of the screen.
Locks the knob or key control.
Displays various kinds of aspect ratios on the screen. Wide range of markers and security areas are available with line colour and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements.
Analyses the input signal’s Luma(Y’) and chroma information(C’) and if the input signal exceeds the designated minimum value and maximum value, the pixel shall blink. This function is to help the user to easily find out any unwanted levels of signals and for a better exposure setting.
Time Code Display:
Displays the Timecode information on the screen.
Adjusts the Width /Height display ratio.
Various Scan Modes:
Controls the size of the image. Overscan: Extra area around the four edges of the image that may not be seen reliably by the viewer. Underscan: Constrains the size of the image so the monitor shows everything the camera is seeing. 1:1 pixel: Displays the original image resolution without scaling to match a certain resolution or an aspect ratio.
Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform.
Vector Scope: Displays the colour components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis.
Applies the LUTs to the outbound Log signal. A LUT for every major camera manufacturer has been included(LOG-C, C-LOG, S-LOG 1,2,3 and RED Gamma 3,4).
1:1 Pixel Mapping Modes for SD/HD:
Displays the original image resolution without scaling to match a certain resolution or an aspect ratio.
3G-SDI Level A/B:
Supports 3G-SDI Level A/B input.
Displays user customized 8 characters or source ID or Tally signal of Ancillary (ANC) data on the screen.
PBP(Picture by Picture):
Support displaying multiple inputs on the screen at the same time.
The HDR emulation function allows users to check how an HDR image will look at the shooting location. Adjustable modes are PQ, HLG and SLog3.
Custom 3D LUT Import:
Allows you to load your making 3D-LUT files at NLE software like Davinci Resolve by USB flash memory and displays your LUT on VFM-055A or F-7H. Once you synchronize LUTs in the monitor, you will easily change them on production.