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£175.00 ex VAT
The long-awaited C300 Mark II is destined to become a broadcast industry legend, and a true 4K workhorse. With a brand new 15 stops dynamic range, 4K CMOS sensor, a newly-developed XF-AVC 4K codec (with bit rates up to 410Mb/s), the new Canon C300 boasts seriously top specs. With the addition of 2K, plus slow motion capture at up to 120fps, the C300 exceeds even the most demanding broadcast professional’s requirements.
£175.00 ex VAT
Its 2/3-inch type three Power HAD FX CCD sensors deliver the same outstanding picture quality and low-light performance as the acclaimed PDW-700, however it records onto Solid State SxS media rather than optical Professional Disc. This gives you all the benefits of the 'EX' workflow, with the reliability and speed of SxS card recording, but it's kind of a split personality camcorder. You can choose to record at up to 35mbps just as though you were using an EX3 or an EX1, or you can tell the camera to behave as though it was a PDW-700/800 but recording the same data on to SxS card instead of optical disk.
£18,556.56 ex VAT
- High quality XAVC Intra and XAVC Log GOP recordings.
- Direct compatibility with NLEs.
- Slow & Quick Motion options.
- Dual SxS media slots.
£200.00 ex VAT
Sony's PXW-X500 has three 2/3-inch type Full HD CCD sensors, offering a high sensitivity and low noise image. The camcorder gives broadcasters a high degree of flexibility, allowing you to shoot in a wide variety of HD and SD formats, including XAVC Intra and XAVC Long GOP, MPEG SStP 422 Lite (HDCAM SR), MPEG HD 422 and MPEG HD 420, as well as MPEG IMX and DVCAM. Options allow the camcorder to record directly in Avid DNxHD and Apple ProRes, offering direct compatibility with NLEs.